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Prices
Price: 17149.00
12949,00 zl
Price including VAT
(Price excluding VAT: 10881.51 zl)
| In Stock?: |  | | Delivery time: | 2-5 Days | | Warranty: | Official manufacturer warranty |
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 | Product SpecifiationsMic input gain -6dB to +60dB in
6dB steps
Mic Input Impedance 1200Ù ±15%, balanced
and floating
Frequency Response 10Hz to 140kHz
(-3dB points), ±0.1dB
within passband
Noise (EIN) -127dBu (input loaded
200Ù) @ 60dB gain
Distortion 0.15% (-20dBu @ 20Hz)
0.06% (-20dBu @ 40Hz)
0.003% (-20dBu @ 1kHz)
0.005% (-20dBu @ 10kHz)
Output +24dBm into 600Ù
+26dBm into 10kÙ,
balanced and floating |
 Focusrite RED1 4 Channel Pro Audio Mikrofon Preamp
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Four perfectly matched channels of the ultimate mic preamp, whose design uses the same topology as the fabled ISA 215 preamps. The result is a phenomenal set of specifications, and probably the most revealing yet forgiving mic amp in history.
Using the same circuit topology as the original ISA mic pre designs, the Red 1 and 8 offer respectively, four and two channels of ultra-high quality Focusrite microphone amplification. Used with high quality ribbon, valve and condensor mics, the Red 1 and Red 8 obtain outstanding results with any sound source, but especially voice, piano and string instruments.
With four mic pre-amps in a single unit, the Red 1 is ideal for those looking for improved audio performance, as a compact ‘way in’ to digital recording systems, or for location multi-mic recordings. Each channel offers custom-wound Focusrite input transformers, switchable phantom power, phase reverse, an easily-read illuminated VU meter, and a handy scribble disc for denoting channels. Mic gain is switched in 6dB steps over a 66dB range, for accurate, precise channel matching and recall. The Red 8, with a perfectly matched pair of mic amps, offers identical channel controls to the Red 1, and is especially suited to demanding mono or stereo recording work, such as location classical recording with digital recording media. The many benefits of the unique Focusrite mic amp topology include superb commonmode rejection, a good overload margin and, with its shared gain structure, (20dB from transformer and up to 40dB from the amplifier) a very low noise floor with the signature wide bandwidth (10Hz to 200KHz). It also maintains this level of performance with a very wide range of impedance across the inputs. In practice, this makes it what one reviewer called, “perhaps the most revealing yet forgiving mic pre-amp in history.” The output stages of both the Red 1 and Red 8, with their custom transformers, will easily drive very long cable runs – up to several kilometers – without significant loss of quality, making them ideal for remote recordings.
“Performance-wise, Red 1 is excellent, having a noticeably broad frequency response with well-defined low end and an open high end; mid frequencies sound both open and well-focused.” Patrick Stapely - Studio Sound “Versatile yet straightforward operation means the Red 1 can be relied upon at all times to produce the required quality of signal to tape.” Steve Power - Producer for Robbie Williams
Question about the RED1 4 Channel Pro Audio Mikrofon Preamp? email
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